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Posts tagged ‘writing realistic fiction’

Writing Honest Depictions In Your Novels, by Paul Volponi

Writing with complete honesty is one of the hardest things for fledgling authors of teen novels to achieve. They worry about their name being attached to the story – even though it is fiction and it will be the characters doing the action and speaking the dialogue, not them. I’ve heard statements from beginning writers such as – readers will think I support what the characters do and say.

In my opinion, a writer needs to cut loose from anything resembling these feelings. They will only weigh you down and stop your work from evolving. I had to deal with this issue when I wrote several books which touched upon racism and hatred in our society. Black and White, Response, Rooftop, Rikers High, and Crossing Lines are all novels that I’ve written which have characters that espouse ugly ideas and brutal language. But if you try to couch your story and not show the way teens really act, or how they can act, during their worst moments, then your story will probably ring hollow.

When I decided to write Rikers High, a novel about a place in which I worked for six years, honesty came into play in a different way. Just some background: Rikers Island is the biggest jail in the world. There are high schools there for teens who can’t make bail and are awaiting trial in the court system. The novel shows an inmate demographic that is heavily black and Hispanic, because that matches the real demographic of Rikers Island. Incidents in the novel involving students/inmates with their teachers and correction officers are all a reflection of what I had really witnessed while working there. After the novel was published, some teachers and officers I worked with felt they recognized themselves and things that they had done, both good and bad. Needless to say, many were unhappy with my honesty. I lived with the ramifications and never regretted it. That novel accurately reflects six years of what I saw happening on Rikers Island.

I found it really interesting when a writer whom I had never met dedicated a YouTube video to the honesty in Rikers High. That video can be found at http://www.youtube.com/watch?v=MVmalLRRlKE

So every time you reread your story, there are several basic questions you need to continually ask:

1. Have I passed up on writing any scene that, in my heart, I know should be included in my story?

2. Do my most dramatic scenes fall short of an honest portrayal because I’m worried about what people will think about my views or sensibilities?

3. Does the dialogue I’m using truly represent what real people would say (including curse words) in tense situations?

4. Was I honest with myself and my fiction?

You should always be honest and brave in your writing. That way your fiction will represent real life. There is no higher standard that that.

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Paul Volponi’s author website: www.paulvolponibooks.com

Paul Volponi’s bio page

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Rikers HighRooftopBlack and WhiteHurricane Song     Cleopatra ConfessesThe Night She DisappearedCode Name Verity

Writing Teen Novels
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Creating A Realistic Story World, by Andy Briggs

I think we’ve all read a book or watched a film and been immersed in a story that had fascinating characters and a plot that takes you on a rollercoaster ride, but you still felt strangely empty once you reached the end. Perhaps that was because the world inhabited by the characters felt flat and slightly unreal. The details were missing.

Personally, I’m a huge believer in research. I read, watch and absorb as much as I can when writing a story. I talk to people who may have had similar experiences to those my characters are about to endure and I travel the world to experience the locations.

The internet is a vast research tool and I use it extensively – but there are many other avenues you should take, because the Internet is just the tip of the research iceberg. Whatever you read on several pages of Wikipedia may give you a basic understanding of the subject but there are probably many books on the same topic, each hundreds of pages long, that give you a deeper insight. They present you the details that could bring your story to life.

I have stood on the edge of an active volcano in the name of research. You can pretty much imagine what it was like – and I could use those obvious details in my story but it wouldn’t challenge your imagination. Things like the smell, the effect it had on me physically, the taste the gases left in my mouth and the soundscape around me all add up to a more detailed picture. These details often stick in a reader’s mind.

Naturally, if your story is about the 15-year-old king of a fantasy epic, then it is difficult to research that and you could write pretty much anything you like. But, again, it’s the details that matter. If you invent things, make them stick in the reader’s imagination. Look at Terry Pratchett’s Discworld books – a flat word on the back of four giant elephants, carried through space on the back of a giant turtle is very memorable. Oddly, what makes those stories work is not only the wild concepts that imprint on your imagination but the familiarity of it all. The Discworld has its quirks but we can all relate to it. The characters in the books may be wizards or trolls but they all have relatable details that draw us closer to a character or story.

If your story is set in the real world, try to visit the locations. I recently enjoyed reading an adventure thriller. The story took me in unexpected places that I desperately wanted to experience for myself and I turned the pages eager to know how things would resolve. Then the story led the characters to the Valley of the Kings in Egypt, a place I had recently been to – but apparently the author had not. I spent the rest of the chapter thinking – no, that’s wrong. That’s not at all what it’s like. How did that happen there?

I was yanked out of the story with such force that the rest of the book felt very lackluster and it made me suddenly question what other falsehoods the author had thrown at me. The author had broken a bond of trust. This detail would have passed over most readers, but for me it ruined a perfectly good book. Perhaps a chapter I enjoyed would have had another reader thrown off track – all because of a tiny bit of poor research.

For me, poor research is akin to insulting your readers. Never treat your audience as fools, especially because most of the time there are readers already a step ahead of you…

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Andy Briggs’s author website: www.andybriggs.co.uk

Andy Briggs’s bio page

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Tarzan: The Greystoke LegacyTarzan: The Jungle Warrior: Bk. 2Tarzan: The Savage LandsDark Hunter (Villain.Net)     SparkShock PointSaraswati's Way

Writing Teen Novels
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