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Posts tagged ‘The Writer’s Journey for novelists’

Plotting A Novel Versus Winging It, by Diane Lee Wilson

I began my first novel not really knowing what I was doing. In a burst of inspiration, I scribbled a few opening sentences on a piece of paper and gradually turned that into a short first chapter. Then I started a second chapter. And it went on from there. Whenever I finished a chapter I would ask myself: What has to happen next? I was never quite sure. I wanted to move the story along and I had a vague idea where I wanted the story to end up, but the middle was unknown territory.

Did that work? Yes, I’m happy to say that it did. With the help of my agent I sold that novel to a respected publishing house. Soon after, about the time I was doing my rewriting based on my newly assigned editor’s comments, I came across a book entitled The Writer’s Journey: Mythic Structure for Storytellers & Screenwriters by Christopher Vogler. In this book, Vogler mapped each stage of a well-constructed novel or film. Oh, no. What if I’d done it all wrong?

I read the book cover to cover and loved it, happy to find that I’d intuitively followed the basic structure for good storytelling. And I recommend this book to aspiring novelists. It shed new understanding on the roles played by archetypal characters and explained the different “acts” inherent in most stories. I also adopted a few tips for making future stories stronger.

But here’s where I slipped: When I began my second novel I didn’t follow my intuition. I used Vogler’s outline to create a “perfect” story arc. I sat on my living room floor and, with an idea in my head, filled out 3”x5” cards with sequential segments of the story. I then slavishly followed those cards to write my story. And when this novel was completed I felt it was somewhat lifeless. In my opinion, it lacked the spark that arises from seat-of-your-pants inspiration.

Each of my subsequent novels has been conceived and written like my first one. I’m aware of classic story structure and the archetypes that appear in most stories, but I rely more on my intuition to keep my reader turning the pages. At times, if I’m stuck in my progress, I might pick up The Writer’s Journey for a little inspiration. I’ll be reminded of the tension created when a hero fails a few times, or the suspense lent by a “shapeshifter” character. Then I’ll set the book down and return to my writing.

I’ve spoken to authors who have found success writing from a detailed outline but that doesn’t work for me. I simply begin each novel introducing a teen character with a problem. I know where he or she needs to end up; I just don’t know how that will happen. I also don’t know how much the character will change or develop over the course of the story – and that’s part of the fun of writing without a map: I wake up in the morning wondering what will happen in the story today!

So my words of advice would be: familiarize yourself with good storytelling, whether that’s through studying manuals or just reading the works of accomplished authors, but then sit down and tell your story YOUR way, the way you see it in your head. That’s when the magic happens.

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Diane Lee Wilson’s author website: www.dianeleewilson.com

Diane Lee Wilson’s bio page

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FirehorseRaven SpeakI Rode a Horse of Milk White JadeBlack Storm Comin'     The Writer's Journey: Mythic Structure for WritersShades of Earth: An Across the Universe Novel (Across the Universe)My Brother's Shadow

Writing Teen Novels
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What Is At Stake For The Characters In Your Teen Novel? by Diane Lee Wilson

Within your story, what’s at stake for your protagonist? Are the stakes set high enough and are the risks real enough that your readers will care about what happens? No matter what genre of teen novel you’re writing, the stakes for your protagonist have to amount to life itself. In other words, at some point in your story (preferably about half of the way through) your protagonist has to face a life and death situation in order to overcome it and evolve into a true hero.

For those of you who aren’t writing murder mysteries, this doesn’t have to be a physical death (although teenaged literary heroes such as Harry Potter have embraced death – and, of course, survived it). But the stakes still have to be high enough that, should the protagonist lose, the consequences would be the equivalent of death. Such consequences might be the loss of one’s true love, great public humiliation or a personal failure. In any of these situations the hero might admit, “I’d rather be dead,” and the reader will suffer along. In a wonderful analysis of the craft of story writing called The Writer’s Journey: Mythic Structure for Storytellers and Screenwriters author Christopher Vogler states, “Heroes must die so that they can be reborn. The dramatic movement that audiences enjoy more than any other is death and rebirth.”

I was recently reminded of this need to challenge the protagonist again and again when I watched the Pixar film Finding Nemo. I’m a big fan of Pixar’s unique characters and rich storytelling, and their writers’ ability to pull at your heartstrings. But I’d forgotten what an emotional roller coaster this particular film was and is. In only 100 minutes the little clownfish Nemo and his dad narrowly escape death more than a dozen times: by shark, jellyfish, deep sea angler fish, aquarium water pump, plastic baggie, crab, seagull, underwater mine explosion, strong currents, being flushed down a sink, dropped on a dock, caught in a net and crushed by a net. In addition, there are many crises that feel like imminent death: the ocean’s too big, the destination is too far, I’ve lost my map, my friend has forsaken me. Even with all of these near-fatal scenes, at no point in the story did it feel like the creators were creating artificial dangers; they simply put two heroic characters in one very difficult situation after another and allowed them to use their personal strengths and intense familial love to attempt to reunite – and Finding Nemo is ostensibly a children’s story! Imagine what you can do with a teen’s story.

Nearly every day of a teen’s life is fraught with emotion and crisis. Happiness blooms from the fleeting smile of a member of the opposite sex and tears from an apparent snub. Life is over after a failed test, a broken heart or parental restrictions. The reactions to these events may seem overly dramatic to an adult (and especially to a parent) but to a teen these crises feel like death itself. Understanding what your protagonist most values will allow you to place that thing at risk – even time and time again – and that will make your story intensely interesting to your teen readers.

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Diane Lee Wilson’s author website: www.dianeleewilson.com

Diane Lee Wilson’s bio page

***

United States (and beyond)

    

United Kingdom (and beyond)

    

Australia (and beyond)

Raven SpeakTracksI Rode a Horse of Milk White JadeBlack Storm Comin'     Cleopatra ConfessesThe Writer's Journey: Mythic Structure for WritersFinding Nemo Big Golden Book (Disney/Pixar Finding Nemo)

Writing Teen Novels
www.writingteennovels.com

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