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Posts tagged ‘Kashmira Sheth novels’

To Outline Or Not To Outline? by Kashmira Sheth

Some writers outline their stories while some don’t. I have listened in awe to some authors talk about how they go about creating a framework for their novel. They know their characters, plot, climax and ending of their stories before they actually start writing their first chapter. For them, making an outline works well because they can see how their characters are going to behave in each situation and how they will come out in the end. With that concrete concept of the story, making chapter outlines works well. It speeds up the writing process and avoids a lot of work that comes with creating the story as you go, including trimming scenes when your characters end up in the wrong places.

Even though this process of outlining seems very scientific and has fewer pitfalls, it may not work for every writer. I know it doesn’t work for me. For writers like me, creating an outline is difficult and time consuming in the first place. Even if we manage to outline our story we might find it impossible to stay within those scenes and chapter summaries. If we waiver from those scenes, we might have to abandon the rest of the outline because changes have a snowballing effect, and the rest of the outline may no longer make sense.

Writers like me do not have chapter outlines or summaries on 5×7 index cards to guide us through our way. As we write, we make wrong turns and put in scenes that add nothing to the plot or character development. In that case, we may have to trim many scenes or even a few chapters and start again. Without a clear idea of where the story is going we might find ourselves in a place we don’t want to be or simply have no clue what happens next. We get stumped. Sometimes, it is frustrating to be in that place. At other times our creativity is challenged and we may find appropriate and even amazing paths out of our predicament.

In this way, once we start writing, we may find that our characters have taken us to unexpected and exciting places. The characters’ journey may bring surprises to us. These are gifts that they didn’t know existed.   If we try to adhere strictly to the outline we might find our creativity stifled because we can’t explore a new situation when it pops up unexpectedly. We might feel we have to mould our characters to behave the way we thought they would before we started writing. Ultimately, we might lose interest in our story and abandon it.

If you are a writer who starts with an idea then nurtures and grows that idea as you write, you may not want to make an outline. On the other hand, you may love the outlining process, and feel that it keeps you in control from the beginning and your goal in sight at all times. There is no one right or wrong way to write.

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Kashmira Sheth’s author website: www.kashmirasheth.com

Kashmira Sheth’s bio page

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United States (and beyond)

    

United Kingdom (and beyond)

    

Australia (and beyond)

Keeping CornerBoys without Names     GenesisTarzan: The Jungle Warrior: Bk. 2A Coalition of LionsI Rode a Horse of Milk White JadeShock Point

Writing Teen Novels
www.writingteennovels.com

Creating A Sense Of Place In A Novel, by Kashmira Sheth

Writing a story that has a rich sense of place makes the setting feel authentic. If the place is unique, our characters stand out against their illuminating backgrounds.

Making the place come alive becomes crucial if our readers are unfamiliar with the setting. This occurs in many types of stories, including historical fiction, science fiction, fantasy and stories set in other cultures. Not only do readers need to connect with the main character and their journey, but they also need to know and understand where that journey takes place.

As a writer, you needs to conceptualize this place in your head. If you simply describe all of it at the beginning of the story, it won’t be effective. Too much information about the place will probably get boring; it might slow down the story, and even make the plot feel irrelevant. The key to introducing a new place is to do it in such a way that the reader finds it relevant and fascinating,

By adding a little information at a time about the setting, readers can slowly drink it in as they read the story, instead of having to gulp it down all at once.

By describing things that need to be explained or that would enhance the story, and skipping the unnecessary details, you can sharpen the pace. If you start describing a moonrise, make sure there is something unique about it and that it has a connection to your story. If the moonrise is somehow linked to the character’s journey, mention it. Otherwise, save your descriptions for something unique to that place or to your story.

The writer should also consider carefully the timing of these details.  If the place or culture is utterly unfamiliar to our readers, details can be thought of as multiple curtains. They can be lifted up one at a time to reveal what we need to know and want to communicate at that specific time in the story.

Besides revealing the right details at the right time, using metaphors and similes can ground readers to a particular place. These metaphors and similes must be tied to the environment your protagonist inhabits. If someone is living in a lush tropical climate, “as sweet as maple syrup,” doesn’t resonate true. Instead, “as sweet as sugarcane juice,” might work well. If the story is set in another culture, some words from the native language can also help give the story an authentic feel. The sounds of a different language can have an almost magical power to transport the reader somewhere else. Using vivid and unique imagery and sounds of language from the place can also create the right atmosphere for the story. These metaphors and imagery plant the reader firmly into our character’s world.

By employing the different techniques mentioned above, you can bring into focus the world of your protagonist and invite the reader to step in.

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Kashmira Sheth’s author website: www.kashmirasheth.com

Kashmira Sheth’s bio page

***

United States (and beyond)

    

United Kingdom (and beyond)

    

Australia (and beyond)

Keeping CornerBoys without Names     The Girl Who Was Supposed to DieThe Empty KingdomAugustAngel DustBlue is for Nightmares

Writing Teen Novels
www.writingteennovels.com

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