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On The Inspiration For My Teen Novels, by Laurie Faria Stolarz

People often ask me what inspires me to write.  The answer is that inspiration comes from all over, especially if you’re open to it: stories you hear about, snippets from the news, a really dishy reality TV show, an argument that you overheard at the local coffee shop, fortune cookie messages, dilemmas without answers, a person you encounter at the supermarket, a situation that occurred at the gym…

The point is that ideas are everywhere.  Pick one that gets your creative juices flowing.  Don’t write about a topic because you think it’s popular or timely.  The market is ever-changing: blood-thirsty vampires today, vegan-loving serial killers tomorrow.  Plus when you consider that once your book gets accepted for publication it’s often a year or more before it comes out, who knows what the market will dictate then.

Here’s how inspiration struck for some of my teen novels:

Blue is for Nightmares

The inspiration:  My readers

I was inspired to write my first novel, Blue is for Nightmares, because I wanted to write a book that would have appealed to me as a young person, namely one that had a blending of suspense, romance, drama, and dark humor.  I wasn’t a big reader as a young person, and so I wanted to get reluctant readers excited about reading.  Blue is for Nightmares was the product.


The inspiration: A theme that interested me.

I really wanted to explore how the decisions we make everyday – even the smaller ones – can affect others in ways we may never even consider: the decision whether or not to pick up the phone or let the machine get it; the decision of walking to someone’s house versus taking the bus; or of taking a walk by a cemetery rather than at the beach; and how the outcome of those decisions can have a domino effect, affecting other people’s lives… including the lives of people we may not even know.

The book starts out with one girl (Nicole) grappling with the decision of whether or not to betray her best friend (Kelly) by going after her best friend’s boyfriend (Sean) while the best friend is away. We see how the effect of that decision plays out, affecting all the other characters in the book.

Project 17

The inspiration: A news article.

I sold Bleed in a two-book deal with Disney/Hyperion Books for Children.  Time was ticking and I needed an idea for the second book – fast.  One day when I was flipping through a local newspaper, I came upon an article concerning the controversial teardown of one the nation’s first mental institutions, which was considered  to be a historic landmark – one that was also rumored to be haunted.  I imagined a group of teens breaking in to the hospital on the eve of the demolition to film a movie.  The idea inspired me to write my novel Project 17.

The Touch series

The Inspiration: Past success and my love for series books.

Following the success of my Blue is for Nightmares series, in which my main character is plagued, and then empowered, by her premonitions, I wanted to continue working in the supernatural/paranormal genre.  Like in my Nightmares series, I wanted to explore the idea that we all have our own inner senses and intuition, and how with work we can tap into those senses and make them stronger.  I started researching different types of supernatural powers and discovered the power to sense the past or future through touching objects.  The concept fascinated me, so I wanted to bring it out in a character and show how sometimes even the most extraordinary powers can also be a curse.

In my series, Ben, the new boy at school, is rumored to have accidentally killed his ex-girlfriend.  He ends up completely reclusive as a result, getting home-schooled by tutors and not leaving his house.  Flash forward two years and Ben wants a shot at normal life again, despite his powers.  He enrols at a school a few hours from his hometown, where no one knows him or his past.  Then everything goes awry when he accidentally touches Camelia, the main character, and senses that her life is in danger.

My current work-in-progress

The inspiration: A nightmare I had.

I rarely have nightmares but I had one that felt so real and scared me to bits.  I didn’t talk about it for several days afterward.  When I finally felt able to share it, I told someone who immediately said that it needed to be a book.  I agreed and sold it to my editor last year.  I’m currently working on the draft.


Laurie Faria Stolarz’s author website:

Laurie Faria Stolarz’s bio page


United States (and beyond)


United Kingdom (and beyond)


Australia (and beyond)

Blue is for NightmaresBleedProject 17Deadly Little Secret    Tarzan: The Greystoke LegacyAngel DustBlack and White

Writing Teen Novels

Selling Your Teen Novel Manuscript, by Laurie Faria Stolarz

Writing an entire novel that’s rich with character and appeal, and that has a clear beginning, middle and ending in which the character grows, facing obstacles along the way, isn’t an easy task. Once this is done, congratulations are in order.

Then it’s time to immerse yourself in the selling market by doing a lot of research.  Go to the new release section of bookstores armed with paper and pen, find books that are like yours, and take note of who wrote them and which publishing houses published them.  Then go home and do a Google search to find the name of the agent and/or editor for those particular books.  Sometimes, you won’t even have to Google; you’ll get lucky and flip to the Acknowledgements page of the book to find that the author has thanked their beloved agent and hardworking editor.

Start to keep a list of these names.  The editors and agents are the people that you should be targeting for your work.  Write an intelligent and presentable one-page query letter that summarizes your book and gives a brief introduction of who you are.

Sound easy?  It isn’t.  It takes patience and a thick skin.  Some people get lucky and get requests for full or partial manuscripts right away.  For most of us, it’s a much longer process – one that requires a sense of humor, a lot of waiting, and hopefully a cheering squad of writer-friends.

I’d recommend sending out batches of query letters, five at a time.  Once a rejection comes back, send out another, keeping a log of names, dates, and responses.  But, again, always do your homework.  Make informed decisions as to whom you’re sending your query.  Know who that person is, what books are on his or her list, who his or her clients are, and what he or she is looking for (if anything at all).

Once you start to get responses you’ll find there are different levels of rejection letters, from the standard form letter to the more personalized ones.  I’ve gotten fortune-cookie sized rejection letters that simply say “No, thank you”, as well as personalized letters that explain why my work wasn’t a good fit at the time.

Try not to take any of it personally.  Sometimes you’ll get a rejection purely because the market is trending in another direction or because a particular editor already has a novel like yours on his or her list.  Just keep working and learning.  When I was trying to sell Blue is for Nightmares I was continuing to write my next manuscript, Bleed, which became my fourth book published.

Personally, my initial path to publication was a rough one.  I approached editors and agents at the same time, trying to target those who worked with writers like me (namely, writers who wrote in the Young Adult supernatural/paranormal genre).  It took me a long time to sell my first novel.  I have a folder filled with rejection letters – over a hundred. My favorite one is from an editor who said: “While this is an interesting project, I do not feel it is strong enough to compete in today’s competitive Young Adult market.”  That same Young Adult novel, Blue is for Nightmares, has sold over 200,000 copies, been translated into numerous languages and has appeared on many different award lists, not to mention it’s been optioned for a TV series.

So, in addition to doing your homework, my next bit of advice is to persevere.  There are many talented writers who give up after 5, 10 or even 50 rejection letters.  Be open to learning and to getting better at your craft.  If more than one person criticizes the same point in your work – i.e. your main character whines too much – chances are you need to look at that point again.  Lastly, consider joining a writers’ group.  There’s nothing better than being in a group of like-minded writers who can help inspire and cheer you on, and who can provide constructive feedback that can help to strengthen your work.


Laurie Faria Stolarz’s author website:

Laurie Faria Stolarz’s bio page


United States (and beyond)


United Kingdom (and beyond)


Australia (and beyond)

Deadly Little SecretDeadly Little Lessons (a Touch Novel) (Touch Novels (Hardcover))Blue is for NightmaresProject 17     VibesSaraswati's WayTracks

Writing Teen Novels


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