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Time And The Publishing Process, by Stephen Emond (graphic novelist)

There’s a good delay with books. It’s a time-consuming process, both writing the book and going through the publication process. Things like comic books or a daily comic strip can be really appealing because you have a constant contact with your audience. Every day or every month you can put your latest work out and you’re never far from your public’s mind. Stand up comics often have trouble doing any kind of written material because they’re so used to an immediate feedback from their material. With books, with what I’m writing now, you have to worry that what you’re writing will still be relevant, or topical a year or two down the line. Or that world events don’t render it irrelevant or distasteful, or that someone else doesn’t have the idea you’ve been spending months refining and beat you to the punch. Alas, all you can do is your part and hope the rest falls into place.

Personally, I usually have a handful of ideas on hand in various states of readiness. So, oftentimes I have a vague idea of what my next book is while I’m still working on a current project. The way I work, having a regular publisher, editor and agent, is I’ll develop the idea I want to do into a detailed outline, I’ll work on sample chapters and I’ll get a really decent-length pitch put together. This can take anywhere from a couple of months to over a year, as has been the case for this book I am writing now.

Winter Town came out in December of 2011 but I’d been working on the pitch for a while before that, so certainly over a year to develop this into a good pitch I can be proud of and ready to write. From there, my editor has to sell this idea to the other editors and marketing teams in an acquisitions meeting. A lot of people have to sign on and say yes, this book sounds good; this deserves to be on the shelves; and yes, we think we can sell this. Even if it was completely written already and was a masterpiece, there are only so many books a publishing house can put out per season. If spring 2013 is filled up, or if it’d get lost in all the powerhouse books coming out in fall of 2013, it would still get pushed out a year. Maybe if I was James Patterson they could make a case for getting it out sooner, but I’m no James Patterson.

In my case it works out. This gives me most of the year to finish writing the book. It gives us time to revise it and go through a few rounds of edits. It gives Little, Brown & Co time to print advance copies, to shop it around and build up interest before it’s officially released. To the public, it’d seem that I disappear for a couple years and return with a shiny new book, but really all that time is spent working, writing, revising, marketing and planning for the release.

It’s a lengthy process, putting a book out, with very little of the process spent in the public eye, generally right around the release there’s a big hoopla, interviews and talks and book shelves, and then it all goes quiet again as we work on the next one.

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Stephen Emond’s author website: www.stephenemond.com

Stephen Emond’s bio page

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United States (and beyond)

    

United Kingdom (and beyond)

    

Australia (and beyond)

HappyfaceWinter Town     In Mozart's Shadow: His Sister's StoryMy Brother's ShadowRikers High

Writing Teen Novels
www.writingteennovels.com

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