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Young Adult Novels Versus Adult Novels, by Laurie Faria Stolarz

Opinions range widely on this topic of young adult novels versus adult novels. Some believe that certain subjects are simply off limits in young adult literature. That may have been the case in years past, but more and more young adult literature is crossing into what some may consider to be adult and/or controversial material: four-letter words, drugs and drinking, sex and sexuality, religion… you name it. There aren’t many topics that you can’t find in young adult literature these days. So, then circling back to the question: What’s the difference between adult and young adult literature?

The easy answer to that question is that young adult literature has young adult characters. Teen characters are very present in teen books. Makes sense, right? Teens want to read about people their age.

The more complicated answer concerns the way in which “controversial” topics are covered. In young adult fiction, for example, the main character usually comes full circle as a result of overcoming obstacles and learning a lesson – one that often involves one or more “adult” issues. In adult literature, on the other hand, there isn’t as much of a need – if any need at all – for the main character to have learned such a lesson. The adult character does not necessarily need to have grown by the end, nor does he or she need to have solved his problem. The writer doesn’t have to address or even acknowledge the “controversial” issue. In other words, there isn’t as much of an overriding “moral to the story” as one might see in young adult material.

When I wrote my novel Bleed (Disney/Hyperion 2006), there was no doubt in my mind that I was writing it for adults. I’d just written a couple of books in the Blue Is For Nightmares series and I wanted to try something new, exploring edgier topics without censoring myself in any way, including the liberal use of the four-letter words and controversial topics. But by the time I went to sell it the young adult market had opened so much that Bleed was published for young adults.

Bleed is told from ten different points of view – all young adult characters. I really wanted to explore how the decisions we make everyday, even the smaller ones, can affect others in ways we may never even consider. The decision whether or not to pick up the phone or let the machine get it; the decision of walking to someone’s house versus taking the bus; or of taking a walk by a cemetery rather than at the beach – how the outcome of those decisions can have a domino effect, affecting other people’s lives… even the lives of people we may not even know. The book takes place over the course of a single day, and starts out with one girl grappling with the decision of whether or not to betray her best friend by going after her best friend’s boyfriend while the best friend is away. We see how the effect of that decision plays out, affecting all the other characters in the book.

As I was editing Bleed, I spent a great deal of time making sure that while some of the characters’ plights couldn’t possibly be solved in the course of one day, there was a glimmer of light, enabling the characters to see the way out of the holes in which they’d dug for themselves. Each character was able to learn something as a result of his or her decision, which I think is also customary of young adult literature.

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Laurie Faria Stolarz’s author website: www.lauriestolarz.com

Laurie Faria Stolarz’s bio page

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BleedBlue is for NightmaresDeadly Little LiesDeadly Little Games    GlowThe Night She DisappearedHold Me Closer, Necromancer

Writing Teen Novels
www.writingteennovels.com

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