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Writing Novels Teens Want To Read, by Diane Lee Wilson

Today’s teens have a lot of options for entertainment: YouTube videos, social media, surfing the internet, computer games and even old-fashioned movies (whether watched on DVDs or downloaded). Where does reading fit in? How do you keep a teen turning the pages of a novel when the entire world is vying – via beeps and chimes and ring tones – for his attention? That’s a tough challenge for today’s authors of teen novels.

Content is what comes to mind first: content that piques teens’ interest and then, once they’ve opened the book, pulls them along through every page with a vivid, fast-paced story. The key is figuring out what will pique this teen’s interest. It can be the genre of the moment – such as the ubiquitous (but perhaps now fading) vampires and werewolves – or one that’s on the horizon: dystopian novels have been earmarked by some literary experts as the next predominant theme. Or it can be – if well-written and well-presented to a publisher – a genre that hasn’t been visited for a while. When JK Rowling wrote the first book of her Harry Potter series, wizards and sorcery weren’t a popular theme. Many publishers turned her down but she had the foresight and the writing skills to craft a story that captured the imagination of teens (and adults) around the world.

Despite the success of the Harry Potter series, I think that most teens are averse to tackling thick books. I think most teens want a book they don’t have to make a huge commitment to read. Shorter chapters are one way to entice teen readers to give a long novel a try. If you break it up into smaller servings, teen readers can get through a chapter or two with ease and perhaps, feeling that they’ve made progress, might hang around for a few more chapters. (This isn’t limited to teen reading habits. I have a good friend in her sixties who reads daily and says she loves books with chapters that may be only two or three pages long. That way she can sneak in reading whenever she gets the chance and feel as though she’s making progress.)

I think authors of teen literature have be on their game if they’re going to attract and keep the attention of teen readers. The opening lines have to be barbed hooks. The writing has to be vivid, crisp and smartly paced. The main character must meet and overcome one hurdle after another and not indulge in too much introspection. Conversation is always good – it’s easy to read and keeps the pages turning.

No matter what competition arises to tempt teens from reading books, stories will always be told. Good writing will always have an outlet. When I hear people talk about blending video and audio into books – creating video-books – I get excited. I think it would be very cool to read a story on a tablet that incorporated judicious use of sounds and artwork to enhance the story. (I say judicious because I don’t want it turned into a movie, just an extra sensory element.) It’s one more way to grab teen readers and get them to spend time reading.

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Diane Lee Wilson’s author website: www.dianeleewilson.com

Diane Lee Wilson’s bio page

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TracksFirehorseI Rode a Horse of Milk White JadeBlack Storm Comin'     Code Name VerityAcross the UniverseSektion 20

Writing Teen Novels
www.writingteennovels.com

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