Plotting A Novel Versus Winging It, by Diane Lee Wilson
I began my first novel not really knowing what I was doing. In a burst of inspiration, I scribbled a few opening sentences on a piece of paper and gradually turned that into a short first chapter. Then I started a second chapter. And it went on from there. Whenever I finished a chapter I would ask myself: What has to happen next? I was never quite sure. I wanted to move the story along and I had a vague idea where I wanted the story to end up, but the middle was unknown territory.
Did that work? Yes, I’m happy to say that it did. With the help of my agent I sold that novel to a respected publishing house. Soon after, about the time I was doing my rewriting based on my newly assigned editor’s comments, I came across a book entitled The Writer’s Journey: Mythic Structure for Storytellers & Screenwriters by Christopher Vogler. In this book, Vogler mapped each stage of a well-constructed novel or film. Oh, no. What if I’d done it all wrong?
I read the book cover to cover and loved it, happy to find that I’d intuitively followed the basic structure for good storytelling. And I recommend this book to aspiring novelists. It shed new understanding on the roles played by archetypal characters and explained the different “acts” inherent in most stories. I also adopted a few tips for making future stories stronger.
But here’s where I slipped: When I began my second novel I didn’t follow my intuition. I used Vogler’s outline to create a “perfect” story arc. I sat on my living room floor and, with an idea in my head, filled out 3”x5” cards with sequential segments of the story. I then slavishly followed those cards to write my story. And when this novel was completed I felt it was somewhat lifeless. In my opinion, it lacked the spark that arises from seat-of-your-pants inspiration.
Each of my subsequent novels has been conceived and written like my first one. I’m aware of classic story structure and the archetypes that appear in most stories, but I rely more on my intuition to keep my reader turning the pages. At times, if I’m stuck in my progress, I might pick up The Writer’s Journey for a little inspiration. I’ll be reminded of the tension created when a hero fails a few times, or the suspense lent by a “shapeshifter” character. Then I’ll set the book down and return to my writing.
I’ve spoken to authors who have found success writing from a detailed outline but that doesn’t work for me. I simply begin each novel introducing a teen character with a problem. I know where he or she needs to end up; I just don’t know how that will happen. I also don’t know how much the character will change or develop over the course of the story – and that’s part of the fun of writing without a map: I wake up in the morning wondering what will happen in the story today!
So my words of advice would be: familiarize yourself with good storytelling, whether that’s through studying manuals or just reading the works of accomplished authors, but then sit down and tell your story YOUR way, the way you see it in your head. That’s when the magic happens.
Diane Lee Wilson’s author website: www.dianeleewilson.com
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