On Getting Story Ideas (and Developing Them Into Finished Stories) by Diane Lee Wilson
“Where Do You Get Your Ideas?” That’s a question I frequently get from aspiring writers and one that, frankly, surprises me. Because gathering ideas is truly the easiest part of writing a teen novel. Developing them into a finished story is quite another matter.
Viable ideas for your novel are everywhere. Literally. If you maintain a keen interest and a sensitive ear you’ll find possibilities in a “human interest” story in the newspaper. In a conversation with a stranger. In an unusual photograph in a magazine. In a “throwaway” line from an old movie. If, as a writer, you’re truly alert to the bits of stories all around you then you will find more stories to tell than you have years to live.
Keep in mind that you’re going to craft your story for a teen audience so focus on those themes or settings that will most appeal to this age group.
Now, how do you keep track of all these gestating ideas and which ones do you nurture first? For me, I always have a completely unedited “idea file” in progress. This manila folder regularly accumulates intriguing clippings, photos, and random scribbles on notepaper (often jotted down in the middle of the night when “brilliance” seems to appear). Most of these thought fragments have never blossomed into full stories. But sometimes a theme begins developing (a place in history or a particular character type, for example) and I’ll extract all this pertinent inspiration and assemble it in its own “story file.”
When I’m between projects I’ll also take the time to edit my “idea file”. If I’m no longer struck by the wonderful possibilities of a certain piece then it has lost its magic for me, and I crumple and toss it without regret. You don’t have to hold onto every single story idea; there are many, many more in the world around you. Trust me.
So how do you identify the best ones? The very best idea, the one to which you should apply all your energy, is the one you’re constantly turning in your mind, the one that makes you jump out of bed in the morning and want to start writing. It’s the one that lights the creative fire inside you.
As all writers know, however, self-doubt can creep in and all too easily dampen that fire. Maybe there’s another story that’s better, you begin to think. Maybe I should be working on that one.
Well, here’s where you have to balance inspiration with determination. Re-evaluate what got you started on this teen novel of yours. Do you still believe in that idea? If so, then dig down and find the determination to carry your idea through to a complete novel.
If you truly find yourself staring into the dark, though, perhaps it’s only temporary. Perhaps you need to put your story on the back burner for a while and let it develop at its own pace. I think most writers have several story ideas incubating at the same time. I, for one, always have two or three projects in various stages of maturation lined up behind the one on which I’m working.
Although I consider myself a fairly disciplined writer, even my project line-up can change. As an example: I have compiled research for an intended novel that now fills an entire file box. Relevant books have been acquired, notes organized, character descriptions fleshed out, even a few early chapters have been written. I like this story. I want to write it. But twice now, some other project has pre-empted my creative fire and assumed priority. Most recently this happened when I was reading a newspaper article and turned the page to find a striking photograph that I immediately saw as the climax of a story. At the same instant that I was acknowledging that “THIS is my next story” I was bemoaning the fact that I would once again have to set aside the story with the huge file box. Oh well. Hopefully I have enough years left in me to return to it.
Determination to complete a story can always be mustered, but inspiration, especially when it presents itself in full flame, should never be ignored. Follow your instinct.