More than once I’ve been approached by an aspiring writer asking my opinion about studying Creative Writing at a tertiary level. Given the time and money it takes to attain a qualification, is it worth it?
I should say right off the bat that I majored in Creative Writing. Based on my experience I’d happily recommend it (no, I don’t get a kickback from my university for saying so – though if someone would like to get in touch with me, I have no qualms whatsoever about bribery).
Just because it worked for me it doesn’t mean that I see it as the only way to become a professional writer. There are plenty of authors out there who bypassed tertiary education altogether, dove straight into the business of being a writer and found tremendous success at it. It’s by no means a necessity to make it as a writer.
The benefit to formally studying Creative Writing is that it takes years and years of development and condenses it into an intensive, highly-focused period that exposes the student to multiple forms of writing and reading. The skills you develop through ten years of practice can be distilled down into three, provided you study hard enough, or you invent a time machine, but I’d probably stick with the study option.
When I was at uni, I tried my hand at feature writing, copywriting and sub-editing. I read brilliant books that I otherwise may never have given a chance, and learnt how to deconstruct a text by examining its intentions, its meaning and its execution.
In short, I was guided through the world of being a writer by people who were writers themselves and I was provided a knowledge base that serves me to this day, directly informing the writer I’ve become. But it was a costly experience (which I’m still paying off) and isn’t exactly a luxury that everyone can afford, unless, once again, you’ve invented a time machine (in which case you’re loaded and a Time Lord who doesn’t need my advice).
If you’re uncertain about studying Creative Writing at a university level, you can always look at a short-term course, but even simpler than that would be a writer’s group. They’re easier to find than ever before thanks to the internet, and can provide direction in a way you’d never benefit from on your own. It’s not always easy to hear other people’s opinions on your work, but it’s always invaluable.
If even that level of commitment is a challenge, I’d recommend simply being a student of life. Read a lot. Write a lot. Examine the stories you engage with and analyse what makes them work. Pull apart stories that don’t work and ascertain why. Don’t mindlessly consume. Enquire. Be curious. It’s only through being engaged that you yourself can become an engaging writer.
It’s only a time-flux capacitor that makes time travel possible.